The Crossing
i want to paint
a home that isn’t
exile hanging against
the ether with flurries of chains
wires unfurling
towards the new map of me
i flew here to escape
the ruined remnants of a ripped realm piled on surviving saplings
growing out of gelid grass
forgotten like i am
i lurched out of the devouring bloody muzzle moist with blood and tears
i had been there for so long
i even smell of it.
their loud tuba lips glitters
blustering with questions
disguised as promises
their god-like hands
aloud and nimble
soft with purpose
to protect their bodies
reaches my body, my breasts, my breath all racy and frantic
how porous how invisible i am
here already
i long for a tongue wrapped in forgiveness for the sin of being
here and brown
my cancelled skin offers
language and apologies
they do not recognize
go back to your own country!
they are aiming
at a botched bulk
who cannot run from the meaningless
immense warmth
but waltz and dance through
the gown of fire
whose flames burns with pity and hatred
jostling visitors and visitors
alone. i am rescued, my wings
clipped and carried to
a home that is
exile
“i am awake in a place where women die”1
and then,
i’m gone.
1 “i am awake in a place where women die” is a phrase created by Jenny Holzer in her work Lustmord (1993-1994), which she created to bring attention to the scores of sexual assaults that took place during the Bosnia War (1992-1995)
Born and raised in Nepal, Alisha Bade Shrestha Bhaila (she/they) is currently a student in Bennington College, Vermont. She is exploring storytelling in theatre, literature and visual arts. Her work reaches girlhood, liminal spaces, and reimaging representations among things.
“The Crossing” is a piece about migration and displacement from a home that does not belong to you and devours you to another home that does not belong to you and devours you. I used the metaphor of the ether as a place of exile, refuge, and the immigrant as a bird reaching the place. Please note that the line “i am awake in a place where women die” was a phrase created by Jenny Holzer in her work Lustmord (1993-1994), which she created to bring attention to the scores of sexual assaults that took place during the Bosnia War (1992-1995).