Poetry — (M)othertongues

Aahir Mrittika

“Tradition”
Alisha Shrestha

“In My Country There are 123 Languages“
“The Crossing“
Amalia Rose Petreman

“El Tiempo”
Ashley Alonso

“Dulce Local, Local de Dulces”
Ayesha Bashir

“Synthetic Comfort“
“Universal Emergency“
Benjamin Alonso

“Antes de Ser Mi Padre “
Biborka Beres

“Foreigner’s Duplex“
Camille Akers

“Intentar. Apetecer. Morir.”
Celina Einem

“Engolindo um fio“
Dabin Jeong

“us to US“
“T H E LI-BE-RA-TO“
Daniela Benitez

“elegiac para lo cursi y moribund“
Doménica Montaño

“The Troubling Journey of an Name in the U.S.“
Elisha Aflalo

“rosebrides.com”
Em Setzer

“minotaur: the glory of a compound word“
Emma Paris

“barefoot thoughts in a domesticated language / How To: De-Landlock a Country / How To: Forgiveness (a critical analysis)”
Gerardo Azpiril Iglesias

“ARS POETICA“
“CASTAWAY“
Helen Chen

“Tied“
Iva Sopta

“the other kind“
Julian Preston

“A Song of Complaint at the Tall Pavilion“ (translation)
Laila Ali-Diaz

“Long Division“
Lisa Mulleneaux

“SETTE PALAZZI CELESTI/ SEVEN HEAVENLY PALACES“
Muhammad Ammar

“Democracy: جمہوریت”
Nicholas Denton Cheng

“Asleep in the Time of Red“
Stephanie Dinsae

“Diastema“
Rio Arslanian

“To Armenia“
Sasha Leshner

“Tall Monument That Rises Up Like A Hand“
Sabine Wilson-Patrick

“Non Serviam”
Lydia Duff

“Selections from The Chu Ci“
Valeria Sibrian Quijada

“Hermanos Lejanos“
Zak Struck

“seraph/serif”
Zanna Huth

“One Language is Never Enough“

Prose

Visual Art